Feast of the Conversion of St. Paul

Alumnus Fr. Tom Logue ’11, who grew up in the Hinsdale, IL parish of StIsaac Jogues, returned to Fenwick on January — to preach as a priest!

By Father Thomas Logue

My name is Fr. Thomas Logue, and I graduated from this school some 12 years ago now, and I was ordained a priest of Jesus Christ just this past May.

It’s great being back in this way to celebrate this Mass. I was on Kairos with a couple of the alumni here who are my age, and many of my teachers from my time as a student are still here, which is awesome.
If I recall correctly, I think in Latin class, Dr. Porter told us we wouldn’t use Latin all the much.

So, I’ve just got to say, Dr. Porter, as a priest I get to use Latin all the time: checkmate.

Today we celebrate the feast of the Conversion of St Paul. And you might be wondering, “Okay, that’s cool, Father, but what’s with the gold thing you processed in with?”

Well, I’m glad you asked! My doctor happens to be a fellow alumn, and we have worked together in healing ministry; he lent me this relic of St. Paul — I believe it is a fragment of his bone. So we’re incredibly blessed that this real man will be with us as we come to worship the real Jesus together with him.

Alumnus Fr. Tom Logue, Fenwick Class of 2011.

Now, as we look at what this man experienced, coming face-to-face with God the Son in resurrected human flesh, and who was struck blind for three days thence — all these amazing things — we have to remember that Luke — the guy who wrote this down — didn’t write it down for Paul:

“Hey, Paul, want to hear the story you told me again?”
“Um, no.”

God, the Holy Spirit inspired Luke to write this down for me and for you, so that we might believe. It was all written for you ….

So, that begs the question: All this crazy stuff happened to this man that fundamentally changed him from a murderer of Christians into the greatest Christian witness the world has ever seen — okay.

But, what’s the import for me?

It all centers on the one question Paul asks of Jesus: “Who are You, Lord?” . . . “Who are You, Lord?

Because, for Paul up to this point, before encountering Christ, if someone asked him, “Have you ever heard of Jesus? Who is He?” he’d ultimately say something like: “Jesus is just some dead nobody who’s keeping my life and my culture, even my worship, from what I want it to be. Just some dead nobody who’s caused me a lot of trouble.

But the genuine revelation of the Catholic faith says something quite different, otherwise this school wouldn’t exist; the Catholic faith wouldn’t exist.

A miraculous image from the 1st century, believed to be the burial cloth of Jesus.

Who is Jesus?

Jesus is the God who holds us in existence.

He is God the Son who took on my broken human flesh, calling first the Jewish people, and through them the whole world — me and you — back into relationship with the True and Living God, Himself. And, to do this, from our lowly human flesh, as God and as a Man, He made a perfect act of love to God the Father when He consecrated Himself a sacrifice for me and for you, and then died a torturous death by suffocation in crucifixion, and rose three days later.

“Who are You, Lord?”

But even from 13 years of Catholic schooling growing up, I feel like many, many of my peers, and even a few of my teachers, and me especially, if asked, not just on a theology test, but through the way you can really tell what someone believes — by how we live — if you asked us, “Who is Jesus?” and looked at how we live, our answers might correspond to something like:

  • “He’s just a good moral teacher, or maybe a revolutionary.”
  • Or, “He just asked us to be nice or something; He died, but He didn’t rise from the dead — He’d have to be like, God or something, lol.”
  • Or, “He was just a made up idea that helps people be kind.”

In our culture, and in a culture like this, when we reject Christ, we don’t usually reject Christ outright. We make a new Christ that fits my view of things. And, as a priest who I know says, “that is a very effective way of murdering Jesus Christ, to change Him to suit our own desires.” It’s not the real Jesus we talk about when we do this. We are just making up our own.

And what I felt — and some of you might know what I’m talking about, though I hope you don’t know what I’m talking about — I felt like, ironically, the Catholic culture for me growing up, and the apathy I experienced towards the faith and towards our Lord in it, which seemed louder than the Gospel — that it almost vaccinated me against Catholicism.

You might be thinking, “Vaccinated?” You know, with old school vaccines (not the new mRNA stuff) if you want to make someone immune to something that is very contagious, what you do is you take the contagious thing, you isolate it, you kill it, and then you inject the dead thing into the person, so that when they encounter the real thing out in the world, their system just says, “Oh, I know what that is, and it’s not for me.”

But what have we done the past few generations with our Catholic faith but this very thing? We isolate the fullness of the faith and the real Jesus, we give to our young people a dead, seriously deficient version of the faith, and we’re surprised they don’t practice it — when in fact we’ve vaccinated them against it.

We do this to our Catholic faith, and this has happened to many of us here. C.S. Lewis says, “Christianity, if false, is of no importance, and if true, of infinite importance. The only thing it cannot be is moderately
important.”

Well, this was the message I got — that it’s moderately important: like basketball or a TV show. And since this, sadly, is how many of us were raised, when confronted with Christianity and the real Jesus who calls us to repent, who calls us to change — when, in fact, we don’t want to repent; when we don’t want to change — what do we do but try and invent our own Christ.

A painting of the Apostle Paul from 1600s.

But, tragically, we know that when we invent our own Christ, that our own “Jesus” is totally impotent; that “my Jesus” is powerless to save or forgive me; that when I erect my own “Jesus,” in my own image, the
only person I worship is me. And, if I’m honest, I am powerless to save myself … and so I lock myself within my own heart.

But the real Jesus, who comes knocking on the door of our locked hearts — the One who appeared to Paul — we know and believe that He can actually do something about my life. This Man who conquered death and is alive right now, with real Blood flowing through real veins as He sits at the right hand of the Father — that He can heal me; He can save me. He comes full of mercy, full of peace, forgiveness, with genuine meaning (not the futile self-fabricated kind) — real, genuine, objective meaning from the Person who is Truth Incarnate Himself — He offers this for those who will receive Him as Lord, as Master and as Savior.

Ask Him, “Who are you, Lord?”

In my own practice of the faith, my parents went to Mass, and though I felt an affection for the Lord, the liturgy and prayer in childhood (I was even considering priesthood non-stop since I was 5), as I got into junior high and the sort of vaccination I received against Catholicism began to take effect, along with my difficulties with some of my peers and distance from my family, I began to, like Paul, frame Jesus as someone else than who He really is:

“Maybe he’s just a good teacher, probably not God,” I pondered. But this was just a cover for the fact that, even though I was interested in Jesus, I doubted that He could really be interested in me. I felt rather unloved and unwanted, and began to paint the lies on my heart over the face of God.

By the time I got into high school here at Fenwick, I was pretty convinced I was an atheist, and that Christianity was some weird scheme or money grab; it was just something I had to just endure and
put up with until I graduated. But through the testimony of the priest who taught me freshman year, I began just to crack open the door of my heart, and a little bit of light began to shine into my darkness. I was beginning to believe. And, at the time, although I was dead scared of going to confession, I felt tugged towards it, and it terrified me.

Saul is knocked from his horse and blinded on the road to Damascus.

My sophomore year, I was sitting next to my atheist friend up in the front row of the nosebleed seats here in the Auditorium when all-school confessions were being heard, and I finally overcame that fear and, by the grace of God, returned to confession for the first time in 9 years. It was incredible.

But I was still clinging to sin in my life, and it was slowly eating away at me. It wasn’t until my senior year about this time of year, actually — that things came to a head.

I went on the Kairos retreat and had such a profound encounter with the real Jesus that all I could do was weep on the floor in my bedroom, overwhelmed by this love I hadn’t known before, but was utterly familiar, and had been present all my life, in all of my pain. And laying prostrate before the crucifix in my room (like I saw one of the Dominicans do at his ordination), I looked up at the cross through tear-blurred eyes and said, “I will do whatever You want me to do, Jesus, just tell me what it is.”

Well, spoiler — He made that pretty clear.

Needing the Lord

Fr. Tom as a Fenwick senior in 2010-11.

But, due to my surrounding myself with less than quality friends, the following week (again, about this time of the year), I got in some very big trouble in pretty much every aspect of my life. Got 15 detentions
and demerits. I was in trouble in school and out of school; it was a huge mess. I bet you didn’t think a priest alum would say something like that!

I realized through the experience of my big mess up that some ofthe friends I thought were my best friends that I had invested in for 6+ years were in fact just using me. And in my hunger for acceptance, after naming the serious wounds of rejection I’d felt for years, I found myself drifting further and further from the Lord.

Continue reading “Feast of the Conversion of St. Paul”

Preaching Through Artistic Creation

Father Mike looks back at how the Fine Arts program got its start at Fenwick nine years ago – and how art plays an integral role in a well-rounded education.

By Fr. Michael Winkels, O.P.

Senior Victoria Brzostowski solders a stained-glass window.

A valuable part of an educated person’s life should include an interest in and appreciation of art. That is certainly true of a Fenwick education. Besides Science, Mathematics, English, Foreign Languages and History, an understanding and appreciation for Fine Arts helps to complete a well-rounded student in the Dominican tradition. The Dominican motto is Veritas or “Truth.” The search for truth encompasses all aspects of human experience. In a Dominican school, art is one component that is essential in the formation of our students as they seek veritas.

After my ordination in 1976, a Sinsinawa sister encouraged me to explore my interest in art. In 1979, at the encouragement of the Order, priests who have been ordained three years were encouraged to begin studying something complimentary to theology. I enrolled at the University of New Mexico, where three years later I received a B.F.A. degree in Studio Art.

At the invitation of Fr. Richard LaPata, I joined the Fenwick community in 2000, working in the area of Technology. I continued working in my art studio whenever I could find the time. In the Fall of 2010 I was asked to develop a Studio Art program. With the support of the school and several generous financial donations of one of our families, we gradually purchased the necessary equipment and supplies.

Sophomore Aldo Scudiero experiments with the screen-printing process.

The program started out modestly with seven students the first semester. From the beginning it was our intention to not just study about art but to introduce students to a variety of ways of helping them make art. The “Survey of Studio Art” class was the first class offered. It has remained the backbone of the Studio program. In this class, students are introduced to 11 media: drawing (pencil, conté crayon, charcoal), water color, acrylic painting, ceramics, wire sculpture, screen and block printing, digital photography and batik. They gain a wide range of experience in both two- and three-dimensional art as they learn about the theory of color, understanding of shading and value, negative and positive space, composition, form, texture and perspective. At the end of the semester they choose one media that they particularly liked and do a more detailed project as a final. As I remind the students even today, you will not be good at or enjoy every media we do, but I guarantee that they will like something in the Survey class. And that has proven to be true.

After students complete the Survey of Studio Art class, they can sign up for a 2-Dimensional and/or a 3-Dimensional Studio Art class. Each of these classes can be taken at four different levels. Students continue to learn and develop in their favorite media as well as improving their artistic and creative skills. At each level of these advanced classes, students learn additional art media, e.g., etching, aquatint, lithography, stained glass, ceramic wheel work and making of mobiles.

Showing Off

Students checking out the Fenwick Art Show this past January.

Each semester, the classes end with an Art Exhibit of all student work. Invitations are sent out to family and friends inviting them to come to school to enjoy the fruit of a very busy and productive semester. It is a joy to see the smiles of confidence on students faces as they hear family and strangers comment on their talents and hard work. Many students are surprised at what they have been able to accomplish and are gratified for the opportunity to expand their educational opportunities.

Continue reading “Preaching Through Artistic Creation”