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“So, You Two Wanna Fight, Do Ya?”

A 1958-62 alumnus takes a fist-in-cheek look back at Fenwick’s lost ‘art’ of pugilism, which began at the school in 1930 as an intramural activity.

By Jim Fineran ’62 (originally published in Fenwick’s First 75 Years, 2005)

It was called the boxing tournament but it actually was ‘fighting’ with gloves and rules, because [for many students] the boxing instruction lasted about two minutes. Tony Lawless was the instructor for what he called the ‘Art Course.’ It was strictly voluntary in that Mr. Lawless decided who was to volunteer and who was not. It was not a good time of year (early February) to be on his bad side. Doctors all over the West Side were exhausted from writing excuses for boys to not participate in the ‘Art Course.’

A left uppercut by freshman Ray Heinz slowed fellow frosh Bob Denvir, who recovered to win the 100-lb. class title in 1960.

The bouts consisted of three one-minute rounds with Referee Lawless intoning ‘That’s a round!’ when the minute was up. Of course, if a couple of guys were really going at it, Mr. Lawless would let the rounds go on longer. The tournament commenced on a Friday night in March with ‘The Silver-Gloves:’ a big night of runner-up and championship fights in eight different weight classes. The gym was always packed. [In 1960, some 1,500 fans jammed into the bleachers and balcony.] Tony would bring in ex-pug ‘Tuffy’ Griffiths to referee. ‘Tuffy’ appeared to have taken a few too many shots during his career because it was not unknown for him to ‘put ’em up’ and start feinting when the bell would sound.

Fenwick’s “Silver Gloves” tourney received prominent coverage in Blackfriars’ yearbooks for more than three decades.

I don’t know when Mr. Lawless started all this [it was in 1930, during Fenwick’s infancy], but I do know it came to an end when Fr. Thomas Cumiskey became principal/president (1962-69). More than once he told me that he thought the whole thing was too brutal. Maybe yes, maybe no, but I never knew anyone who got hurt and I think the boxing did a little character-building.

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Teaching Literature with Musical (and Written) Notes

Progressive Fenwick English Teacher Geralyn Magrady finds common ground with students; treats sophomores to live duet in classroom.

By Mark Vruno (photos and video by Scott Hardesty)

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Local musicians Rob Pierce (left) and Terry White performed recently for sophomores in Ms. Magrady’s English II College Prep course as part of their Tale of Two Cities literature lesson. (It was a pre-Christmas dress-down day for students.)

What’s on your playlist? A playlist is, of course, a list of digital, audio files that can be played back on a media player either sequentially or in a shuffled order. In its most general form, a playlist is simply a list of songs, according to Wikipedia. And almost all the kids have their favorite, thematically inspired lists these days — and they’re quite passionate about the music they like.

One may not think that playlists in 2019 have much in common with Charles Dickens and A Tale of Two Cities, the historical novel written about the French Revolution 160 years ago. Fenwick English Teacher Geralyn Magrady, however, would beg to differ. Ms. Magrady was introduced to a creative, character-analysis activity when she participated in Stevie Van Zandt’s (“Little Steven”) TeachRock professional-development program. (Yes, that Steven Van Zandt – Bruce Springsteen’s E Street Bandmate and of “The Sopranos” HBO/cable TV fame.)

“The idea is to develop a playlist for a main character, and I chose Sydney Carton from A Tale of Two Cities,” Magrady explains. The next day, she asked her English II College Prep students to do the same. The assignment took off running.

“The final result turned into a virtual album with a mix of every student’s top song,” she reports. In addition to the collection, each morning the classes listened to part of a classmate’s pick. “They took notes as to the connections found between the characters and the lyrics,” she says, “and then discussion was opened to share those insights.”

The teacher asked students which of their peers’ selected songs worked best to describe the Carton character? Responses in one class were as eclectic as the children are diverse: “Humility” by the Gorillaz, “Hurt” by Johnny Cash, “Lucid Dreams” by Juice Wrld, “Drinkin’ Problem” by Midland and “Reminds Me of You” by Van Morrison.

Along with her students, Magrady continued her own character-inspired playlist, which included original songs by some local musicians whom she knows. These two artists agreed to perform those tunes for her classes: Strumming their acoustic guitars at Fenwick, Rob Pierce sang “Rise Above” and Terry White played “When Your Hour Comes.”

That resurrection thing

Before beginning, Mr. Pierce offered some context for his young audience: “Just so you guys know, ‘the 101’ is a highway in Los Angeles.” One student recalled, “Hey, there’s a ‘Highway Man’ in the beginning of the book!” The song’s concept of rising ties into Dickens’ resurrection theme, which recurs throughout the story. Brain synapses clearly were firing as students diligently jotted down notes and observations while they listened to the live music. Pierce’s refrain was, “Rise above, rise above; all we do, we do for love.” Another student chimed in after the song was finished: “It makes sense. Sydney [Carton] will do anything for Lucy.”

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